A while back I posted these analog/digital pieces that have a political slant. I don’t normally overtly inject politics into my art. It’s always there, I like to…
Laste last year, I started taking my collages to small art fairs around LA. I’ve met a bunch of cool artists who’ve welcomed this outsider to participate in…
The creative process for Creation Myth started when I found an issue of “The Golden Magazine for Boys and Girls” a 1960s children’s magazine. The issue had several…
Mail Art is one of the most welcoming and vibrant art communities in the world. It took off in the 1960s, with a whimsical esthetic as varied as…
There is no end to the ways artists create, and no end to the ways they survive and thrive in the economic market. New Orleans is packed with…
In addition to bringing The Seaside Fleet to New Orleans, I was also asked to participate on a panel about the curatorial issues involved in exhibiting collage. Hans…
Last month* I was invited to bring The Seaside Fleet to New Orleans, to be featured at Kolaj Fest, a festival and symposium about contemporary collage. The event was…
I was recently invited to take part in a panel about the challenges of presenting collage at museums, galleries and other arts organizations (more about that in another…
Three new collages. I’ve stumbled into playing with circles. Circles are really radical when you’re used to letting the shape of paper–almost always a rectangle–determine layout. There’s a…